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THE POETRY OF ARCHITECTURE.
181

So much, then, for our British blue country, to which it was necessary to devote some time, as occupying a considerable portion of the island, and being peculiarly well adapted for villa residences. The woody, or green country, which is next in order, was spoken of before, and was shown to be especially our own. The Elizabethan was pointed out as the style peculiarly belonging to it; and farther criticism of that style was deferred until we came to the consideration of domestic buildings provided with the means of defence. We have, therefore, at present only to offer a few remarks on the principles to be observed in the erection of Elizabethan villas at the present day.

First. The building must be either quite chaste, or excessively rich in decoration. Every inch of ornament short of a certain quantity will render the whole effect poor and ridiculous; while the pure perpendicular lines of this architecture will always look well if left entirely alone. The architect, therefore, when limited as to expense, should content himself with making his oriels project boldly, channelling their mullions richly, and, in general, rendering his vertical lines delicate and beautiful in their workmanship; but, if his estimate be unlimited, he should lay on his ornament richly, taking care never to confuse the eye. Those parts to which, of necessity, observation is especially directed, must be finished so as to bear a close scrutiny, that the eye may rest on them with satisfaction: but their finish must not be of a character