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THE POETRY OF ARCHITECTURE.
187

Accordingly, the large rhododéndron may be used to almost any extent, in masses; the pale varieties of the rose more sparingly; and, on the turf, the wild violet and pansy should be sown by chance, so that they may grow in undulations of colour, and should be relieved by a few primroses. All dahlias, tulips, ranunculi, and, in general, what are called florist's flowers, should be avoided like garlic.

Perhaps we should apologise for introducing this in the Architectural Magazine; but it is not out of place: the garden is almost a necessary adjunct of the Elizabethan villa, and all garden architecture is utterly useless unless it be assisted by the botanical effect.

These, then, are a few of the more important principles of architecture, which are to be kept in view in the blue and in the green country. The wild, or grey, country is never selected, in Britain, as the site of a villa; and, therefore, it only remains for us to offer a few remarks on a subject as difficult as it is interesting and important, the architecture of the villa in British hill, or brown, country.



V. The British Villa. Hill, or Brown, Country.—Principles of Composition.

"Vivite contenti casulis et collibus istis." Juvenal.

In the Boulevard des Italiens, just at the turning into the Rue la Paix (in Paris), there stand a few dusky and