Jump to content

Page:The Poetry of Architecture.djvu/205

From Wikisource
This page has been validated.
THE POETRY OF ARCHITECTURE.
193

scenery; beginning with such bleak and stony bits of hillside as that which was metamorphosed into something like a forest by the author of Waverley; laying an equal veto on all the severe landscapes of such districts of minor mountain as the Scotch Highlands and North Wales; and finishing by setting aside all the higher sublimity of Alp and Apennine. What, then, has it left us? The gentle slope of the lake shore, and the spreading parts of the quiet valley, in almost all scenery; and the shores of the Cumberland lakes in our own, distinguished as they are by a richness of soil, which though generally manifested only in an exquisite softness of pasture, and roundness of undulation, is sufficiently evident to place them out of the sweeping range of this veto.

Now, as we only have to do with Britain, at present, we shall direct particular attention to the Cumberland lakes, as they are the only mountain district which, taken generally, is adapted for the villa residence, and as every piece of scenery which in other districts is so adapted, resembles them in character and tone.

We noticed, in speaking of the Westmoreland cottage, the feeling of humility with which we are impressed during a mountain ramble. Now, it is nearly impossible for a villa of large size, however placed, not to disturb and interrupt this necessary and beautiful impression, particularly where the scenery is on a very small scale. This disadvantage may be obviated in some degree, as we shall see, by simplicity of architecture; but another, dependent,