which we have declared to be necessary renders the building uninteresting; and that, in the next paper, we shall see a very different result from the operations of equally good taste in adapting a cottage to its situation, in one of the noblest districts of Europe. Our subject will be, the Lowland Cottage of North Italy.
Oxford, Sept., 1837.
II. The Lowland Cottage.—Italy.
"Most musical, most melancholy."
Let it not be thought that we are unnecessarily detaining our readers from the proposed subject, if we premise a few remarks on the character of the landscape of the country we have now entered. It will always be necessary to obtain some definite knowledge of the distinctive features of a country, before we can form a just estimate of the beauties or the errors of its architecture. We wish our readers to imbue themselves as far as may be with the spirit of the clime which we are now entering; to cast away all general ideas; to look only for unison of feeling, and to pronounce everything wrong which is contrary to the humours of nature. We must make them feel where they are; we must throw a peculiar light and colour over their imaginations; then we will bring their judgment into play, for then it will be capable of just operation.
