prosperity of nations, as of individuals, is cold, and hard-hearted, and forgetful. The dead die, indeed, trampled down by the crowd of the living; the place thereof shall know them no more, for that place is not in the hearts of the survivors for whose interest they have made way. But adversity and ruin point to the sepulchre, and it is not trodden on; to the chronicle, and it doth not decay. Who would substitute the rush of a new nation, the struggle of an awakening power, for the dreamy sleep of Italy's desolation, for her sweet silence of melancholy thought, her twilight time of everlasting memories?
Such, we think, are the principal distinctive attributes of the Italian cottage. Let it not be thought that we are wasting time in the contemplation of its beauties; even though they are of a kind which the architect can never imitate, because he has no command over time, and no choice of situation; and which he ought not to imitate, if he could, because they are only locally desirable or admirable. Our object, let it always be remembered, is not the attainment of architectural data, but the formation of taste.
October 12, 1837.
III. The Mountain Cottage.—Switzerland.
In the three instances of the lowland cottage which have been already considered, are included the chief
