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THE POETRY OF ARCHITECTURE.
33

he requires only occasional shelter from storms of excessive violence; during the latter, a sufficient protection from continued inclement weather. The Alpine or summer cottage, therefore, is a rude log hut, formed of unsquared pine trunks, notched into each
Fig. 3.
other at the corners (see Fig. 3.). The roof, being excessively flat, so as to offer no surface to the wind, is covered with fragments of any stone that will split easily, held on by crossing logs; which are, in their turn, kept down by masses of stone; the whole being generally sheltered behind some protecting rock, or resting against the slope of the mountain, so that, from one side, you may step upon the roof. This is the châlet. When well grouped, running along a slope of mountain side, these huts produce a very pleasing effect, being never obtrusive (owing to the prevailing greyness of their tone), uniting well with surrounding objects, and bestowing at once animation and character.

But the winter residence, the Swiss cottage, properly so called, is a much more elaborate piece of workmanship. The principal requisite is, of course, strength; and this is always observable in the large size of the timbers, and the ingenious manner in which they are joined, so as to support and relieve each other, when any of them are severely tried. The roof is always very flat, generally meeting at an angle of 155°, and projecting from 5 ft. to 7 ft. over the cottage side, in order to prevent the windows