tectural beauty ever coming into the builder's head!" Even so, to this illustration of an excellent rule, I wished particularly to direct attention; that the material which Nature furnishes, in any given country, and the form which she suggests, will always render the building the most beautiful, because the most appropriate. Observe how perfectly this cottage fulfils the conditions which were before ascertained to be necessary to perfection. Its colour is that of the ground on which it stands, always subdued and grey, but exquisitely rich, the colour being disposed crumblingly, in groups of shadowy spots; a deep red brown, passing into black, being finely contrasted with the pale yellow of the Lichen geográphicus, and the subdued white of another lichen, whose name I do not know; all mingling with each other as on a native rock, and with the same beautiful effect: the mass, consequently, at a distance, tells only as a large stone would, the simplicity of its form contributing still farther to render it inconspicuous. When placed on a mountain side, such a cottage will become a point of interest, which will relieve its monotony, but will never cut the hill in two, or take away from its size. In the valley, the colour of these cottages agrees with everything: the green light which trembles through the leafage of the taller trees, falls with exquisite effect on the rich grey of the ancient roofs; the deep pool of clear water is not startled from its peace by their reflection; the ivy or the creepers, to which the superior wealth of the peasant
