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THE POETRY OF ARCHITECTURE.
71

peasant where he likes, and how he likes; and, therefore, as we have seen, frequently in good taste.

1. When a nobleman, or man of fortune, amuses himself with superintending the erection of the domiciles of his domestics. 2. When ornamental summer-houses, or mimicries of wigwams, are to be erected as ornamental adjuncts to a prospect which the owner has done all he can to spoil, that it may be worthy of the honour of having him to look at it. 3. When the landlord exercises a certain degree of influence over the cottages of his tenants, or the improvements of the neighbouring village, so as to induce such a tone of feeling in the new erections as he may think suitable to their situation.

In the first of these cases, there is little to be said; for the habitation of the domestic is generally a dependent feature of his master's, and, therefore, to be considered as a part of it. Porters' lodges are also dependent upon, and to be regulated by, the style of the architecture to which they are attached; and they are generally well managed in England, properly united with the gate, and adding to the effect of the entrance.

In the second case, as the act is in itself a barbarism, it would be useless to consider what would be the best mode of perpetrating it.

In the third case, we think it will be useful to apply a few general principles, deduced from positions formerly advanced.