and perfectly developed by education; consequently, when the inhabitant of the villa has had anything to do with its erection, we might expect to find indications of individual and peculiar feelings, which it would be most interesting to follow out. But this is no part of our present task; at some future period we hope to give a series of essays on the habitations of the most distinguished men of Europe, showing how the alterations which they directed, and the expression which they bestowed, corresponded with the turn of their emotions, and leading intellectual faculties; but at present we have to deal only with generalities; we have to ascertain, not what will be pleasing to a single mind, but what will afford gratification to every eye possessing a certain degree of experience, and every mind endowed with a certain degree of taste.
Without further preface, therefore, let us endeavour to ascertain what would be theoretically beautiful, on the shore, or among the scenery of the Larian Lake, preparatory to a sketch of the general features of those villas which exist there, in too great a multitude to admit, on our part, of much individual detail.
For the general tone of the scenery, we may refer to the paper on the Italian cottage;[1] for the shores of the
- ↑ The Character of the Italian Mountain Scenery.—That Italian, mountain scenery has less elevation of character than the plains may appear singular; but there are many simple reasons for a fact which, we doubt not, has been felt by every one (capable of feeling anything) who ever left the Alps to pass into Lombardy. The first is, that a
