THE PORTRAIT OF A LADY. 19 The foundation of her knowledge was really laid in the idleness of her grandmother's house, where, as most of the other inmates were not reading people, she had uncontrolled use of a library full of books with frontispieces, which she used to climb upon a chair to take down. When she had found one to her taste she was guided in the selection chiefly by the frontispiece she carried it into a mysterious apartment which lay beyond the library, and which was called, traditionally, no one knew why, the office. Whose office it had been, and at what period it had flourished, she never learned ; it was enough for her that it contained an echo and a pleasant musty smell, and that it was a chamber of disgrace for old pieces of furniture, whose infirmities were not always apparent (so that the disgrace seemed unmerited, and rendered them victims of injustice), and with which, in the manner of children, she had established relations almost human, or dramatic. There was an old haircloth sofa, in especial, to which she had confided a hundred childish sorrows. The place owed much of its mysterious melancholy to the fact that it was properly entered from the second door of the house, the door that had been condemned, and that was fastened by bolts which a particularly slender little girl found it impossible to slide. She knew that this silent, motionless portal opened into the street ; if the sidelights had not been filled with green paper, she might have looked out upon the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this would have interfered with her theory that there was a strange, unseen place on the other side a place which became, to the c'hild's imagination, according to its different moods, a region of delight or of terror. It was in the " office " still that Isabel was sitting on that melancholy afternoon of early spring which I have just mentioned. At this time she might have had the whole house to choose from, and the room she had selected was the most joyless chamber it contained. She had never opened the bolted door nor removed the green paper (renewed by other hands) from its side-lights; she had never assured herself that the vulgar street lay beyond it. A crude, cold rain was falling heavily ; the spring-time presented itself as a questionable improvement. Isabel, however, gave as little attention as possible to the incongruities of the season ; she kept her eyes on her book and tried to fix her mind. It had lately occurred to her that her mind was a good deal of a vagabond, and she had spent much ingenuity in training it to a military step, and teaching it to advance, to halt, to retreat, to perform even more C 2