only regard them as the result of an afterthought, as the outcome of a desire—or perhaps of a necessity—to produce an effect; to create another sensation.
Those unable or unwilling to accept the poet's theory for The Raven's composition have diligently sought for the source of its inspiration—for the germ out of which it grew. To satisfy this desire for information many fraudulent statements and clumsy forgeries have been foisted on the public: these things will be referred to later on, for the present they are beside our purpose. Among the few suggestions worth noticing, one which appeared in the Athenæum[1] requires examination. In The Gem for 1831, it is pointed out, appeared two poems by Tennyson, "included, we believe, in no collection of the poet's works. The first poem is entitled No More, and seems worthy, in all respects," says the writer, "of preservation." It reads thus:—
"Oh sad No More! oh sweet No More!
Oh strange No More!
By a mossed brook bank on a stone
I smelt a wildweed-flower alone;
There was a ringing in my ears,
And both my eyes gushed out with tears.
Surely all pleasant things had gone before,
Low-buried fathom deep beneath with thee, No More!"
The other poem, entitled Anacreontic, contains the name of Lenora. "It is not suggested," says the writer, "that Poe took from these verses more than the name Lenora or Lenore, and the burden 'Never More.' The connection of the two in The Raven
