needful rôle, so for a while, it is possible, he may have deemed the parrot suitable for his purpose. Gresset's Ver-Vert—that most amusing of birds!—with whose history he was familiar, may indeed have been recalled to mind, but that he would speedily discard all idea of such a creature as out of all keeping with the tone of his projected poem is evident. To us it appears clear that it was in Barnaby Rudge he finally found the needed bird. In a review which he wrote of that story Poe drew attention to certain points he deemed Dickens had failed to make: the Raven in it, the well-known "Grip," he considered, "might have been made more than we now see it, a portion of the conception of the fantastic Barnaby. Its croaking might have been prophetically heard in the course of the drama. Its character might have performed, in regard to that of the idiot, much the same part as does, in music, the accompaniment in respect to the air." Here would seem to be, beyond question, shadowed forth the poet's own Raven and its duty.
It has been seen that Poe found much of what he wanted in Isadore, and it might not be investigating too nicely to question whether the "melancholy strain" of its "mocking bird" may not have suggested the "melancholy burden" of the Raven; but more palpable similarities are apparent. In order to justify the following portion of our argument it will be necessary to cite some specimens of Pike's work, this stanza of it shall, therefore, be given:—
|
"Thou art lost to me forever—I have lost thee Isadore,— |
