gown from another; on a chair in a corner lay, neatly folded, a couple of travelling rugs. All these little details Allerdyke's sharp eyes took in at a glance; he turned from them to the things nearer the dead man.
James Allerdyke sat in a big easy chair, placed at the side of a round table set towards a corner of the room. He was fully dressed in a grey tweed suit, but he had taken off one boot—the left—and it lay at his feet on the hearthrug. He himself was thrown back against the high-padded hood of the chair; there was a little frown on his set features, a tiny puckering of the brows above his closed eyes. His hands were lying at his sides, unclasped, the fingers slightly stretched, the thumbs slightly turned inward; everything looked as if, in the very act of taking off his boots, some sudden spasm of pain had seized him, and he had sat up, leaned back, and died, as swiftly as the seizure had come. There was a slight blueness under the lower rims of the eyes, a corresponding tint on the clean-shaven upper lip, but neither that nor the pallor which had long since settled on the rigid features had given anything of ghastliness to the face. The dead man lay back in his chair in such an easy posture that but for his utter quietness, his intense immobility, he might have well been taken for one who was hard and fast asleep.
The sound of the night-porter's returning footsteps sent Allerdyke out into the corridor. Unconsciously he shook his head and raised a hand—as if to warn the man against noise.
"Sh!" he said, still acting and speaking mechanically. "Here's—I knew something was wrong. The fact is, my cousin's dead!"
In his surprise the night-porter dropped the key which
