I entirely agree with you, he said; in my opinion those stories are quite unfit to be repeated.
Neither, if we mean our future guardians to regard the habit of quarrelling among themselves as of all things the basest, should, any would be said to them of the wars in heaven, and of the plots and fightings of the gods against one another, for they are not true. No, we shall never mention the battles of the giants, or let them be embroidered on garments; and we shall be silent about the innumerable other quarrels of gods and heroes with their friends and relatives. If they would only believe us we would tell them that quarrelling is unholy, and that never up to this time has there been any quarrel between citizens; this is what old men and old women should begin by telling children; and when they grow up, the poets also should be told to compose them in a similar spirit.[1] But the narrative of Hephæstus binding Here his mother, or how on another occasion Zeus sent him flying for taking her part when she was being beaten, and all the battles of the gods in Homer—these tales must not be admitted into our State, whether they are supposed to have an allegorical meaning or not. For a young person cannot judge what is allegorical and what is literal; anything that he receives into his mind at that age is likely to become indelible and unalterable; and therefore it is most important that the tales which the young first hear should be models of virtuous thoughts.
There you are right, he replied; but if anyone asks where are such models to be found and of what tales are you speaking—how shall we answer him?
I said to him, You and I, Adeimantus, at this moment are not poets, but founders of a State: now the founders of a State ought to know the general forms in which poets should cast their tales, and the limits which must be observed by them, but to make the tales is not their business.
Very true, he said; but what are these forms of theology which you mean?
Something of this kind, I replied: God is always to be represented as he truly is, whatever be the sort of poetry, epic, lyric, or tragic, in which the representation is given.
Right.
- ↑ Placing the comma after γραυσί, and not after γιγνομένοις.
