tival, who are enjoying a life of revelry, not of citizens who are doing their duty to the State. But, if so, we mean different things, and he is speaking of something which is not a State. And therefore we must consider whether in appointing our guardians we would look to their greatest happiness individually, or whether this principle of happiness does not rather reside in the State as a whole. But if the latter be the truth, then the guardians and auxiliaries, and all others equally with them, must be compelled or induced to do their own work in the best way. And thus the whole State will grow up in a noble order, and the several classes will receive the proportion of happiness which nature assigns to them.
I think that you are quite right.
I wonder whether you will agree with another remark which occurs to me.
What may that be?
There seem to be two causes of the deterioration of the arts.
What are they?
Wealth, I said, and poverty.
How do they act?
The process is as follows: When a potter becomes rich, will he, think you, any longer take the same pains with his art?
Certainly not.
He will grow more and more indolent and careless?
Very true.
And the result will be that he becomes a worse potter?
Yes; he greatly deteriorates.
But, on the other hand, if he has no money, and cannot provide himself wth tools or instruments, he will not work equally well himself, nor will he teach his sons or apprentices to work equally well.
Certainly not.
Then, under the influence either of poverty or of wealth, workmen and their work are equally liable to degenerate?
That is evident.
Here, then, is a discovery of new evils, I said, against which the guardians will have to watch, or they will creep into the city unobserved.
What evils?
Wealth, I said, and poverty; the one is the parent of lux-
