(d) | Better then Death, Death’s office thou dischargest ····· That a open canst with such an easie key Cleopatra, K. iii. |
Thou best of thieves; who with an easy key, All for Love, Act v. sc. i. |
(e) | False flesh (saith she) and what dost thou conspire Cleopatra, K. iiii. |
Coward flesh, All for Love, Act v. sc. i. |
(f) | Ile bring my soule my selfe, and that with speede, Cleopatra, K. v. |
But bring myself my soul to Antony.
All for Love, Act v. sc. i. |
(g) | She went with such a will.
Cleopatra, K. v. |
I go with such a will to find my lord.
All for Love, Act v. sc. i. |
(h) | And now proude Tyrant Cæsar do thy worst.
Cleopatra, K. iiii. verso. |
Cæsar, thy worst.
All for Love, Act v. sc. i. |
(i) | Charmion, is this well done? saide one of them. Cleopatra, K. v. |
Charmion, is this well done? All for Love, Act v. sc. i. |
(j) | And in that cheere th’ impression of a smile Cleopatra, K. iiii. verso, K. v. |
Th’ impression of a smile, left in her face All for Love, Act v. sc. i. |
ii. Dryden and Milton.
Aubrey[1] is the authority for the well-known story of Dryden’s visit to Milton to obtain permission “to tagge his verses.” Dr. Verrall[2] was of opinion that it is probably apocryphal. This version of it, with additional details, seems to have escaped notice: