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Monsieur Blancmesnil soon established relations with her, a fact which Père Guinardon alone failed to perceive, for the old fellow was still young in his love-affair with Octavie. Monsieur Gaétan d’Esparvieu used to pay occasional visits to Père Guinardon’s shop out of mere curiosity, for he strongly suspected the old man of being a first-rate “faker.”
And then that doughty swordsman, Monsieur Le Truc de Ruffec, also came to see the old antiquary on one occasion, and acquainted him with a plan he had on foot. Monsieur Le Truc de Ruffec was getting up a little historical exhibition of small arms at the Petit Palais in aid of the fund for the education of the native children in Morocco and wanted Père Guinardon to lend him a few of the most valuable articles in his collection.
“Our first idea,” he said, “was to organise an exhibition to be called ‘The Cross and the Sword.’ The juxtaposition of the two words will make the idea which has prompted our undertaking sufficiently clear to you. It was an idea pre-eminently patriotic and Christian which led us to associate the Sword, which is the symbol of Honour, with the Cross, which is the symbol of Salvation. It was hoped that our work would be graced by the distinguished patronage of the Minister of War and Monseigneur Cachepot. Unfortunately there were difficulties in the way, and the full realisation of the project had to be
