So his books are ripe, the fruits of a deliberate and rich nature, and not the windfalls of a mere literary trick. And now the publication of The Saint confirms all his previous work, and entitles him, at a little more than threescore years, to rank among the few literary masters of the time.
III
Many elements in The Saint testify to its importance; but these would not make it a work of art. And after all it is as a work of art that it first appeals to readers, who may care little for its religious purport. It is a great novel so great, that, after living with its characters, we cease to regard it as a novel at all. It keeps our suspense on the stretch through nearly five hundred pages. Will the Saint triumph will love victoriously claim its own? We hurry on, at the first reading, for the solution; then we go back and discover in it another world of profound interest. That is the true sign of a masterpiece.
In English we have only John Inglesant and Robert Elsmere to compare it with; but such a comparison, though obviously imperfect, proves at once how easily The Saint surpasses them both, not merely by the greater significance of its central theme, but by its subtler psychology, its wider horizon, its more various contacts with life. Benedetto, the Saint, is a new character in fiction, a mingling of St. Francis and Dr.
