consciousness of what he has done, and what he needs to do, and the result is quite different. Here, for example, is the work of a seven-year-old child. It is not average work, it is the best work done among the little children, but it illustrates the particular principle of which I have been speaking. They had been talking about the primitive conditions of social life when people lived in caves. The child's idea of that found expression in this way: the cave is neatly set up on the hill side in an impossible way. You see the conventional tree of childhood; a vertical line with horizontal branches on each side. If the child had been allowed to go on repeating this sort of thing day by day, he would be indulging his instinct rather than exercising it. But the child was now asked to look closely at trees, to compare those seen with the one drawn, to examine more closely and consciously into the conditions of his work. Then he drew trees from observation.
Finally he drew again from combined observation, memory, and imagination. He made again a free illustration, expressing his own imaginative thought, but controlled by detailed study of actual trees. The result was a scene representing a bit of forest; so far as it goes, it seems to me to have as much poetic feeling as the work of an adult, while at the same time its trees are, in
