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THE ART OF STORY-TELLING.
7

often used which had dropped out of ordinary parlance, giving proof of careful adherence to the ancient forms; and the writer records that the previous year he had heard a story told identical with one he had heard forty years before from a different man thirty miles away; and this story contained old Gaelic words the meaning of which the teller did not know. A gamekeeper from Ross-shire also testified to similar customs at his native place: the assemblies of the young to hear their elders repeat, on winter nights, the tales they had learned from their fathers before them, and the renown of the travelling tailor and shoemaker. When a stranger came to the village it was the signal for a general gathering at the house where he stayed, to listen to his tales. The goodman of the house usually began with some favourite tale, and the stranger was expected to do the rest. It was a common saying: "The first tale by the goodman, and tales to daylight by the guest." The minister, however, came to the village in 1830, and the schoolmaster soon followed, with the inevitable result of putting an end to these delightful times.[1]

Not very different is the account given by M. Luzel of the Veilées in which he has often taken part in Brittany. In the lonely farmhouse after the evening meal prayers are said, and the life in Breton of the saint of the day read, all the family assemble with the servants and labourers around the old-fashioned hearth, where the fire of oaken logs spirts and blazes, defying the wind and the rain or snow without. The talk is of the oxen and the horses and the work of the season. The women are at their wheels; and while they spin they sing love ditties, or ballads of more tragic or martial tone. The children running about grow tired of their games, and of the tedious conversation of their elders, and demand a tale, it matters not what, of giants, or goblins, or witches—nay, even of ghosts. They are soon gratified;

  1. Campbell, vol. i. pp. xii. xiv. lvii.