printed editions of the "Gesta Romanorum" an interesting picture of domestic life. The whole family is portrayed gathering round the fire in the winter evenings and beguiling the time by telling stories. Such we are informed was the custom among the higher classes. It was, indeed, the custom among all classes, not only in England but on the Continent, throughout the Middle Ages. The eminent French antiquary, Paul Lacroix, speaks of wakes, or evening parties, where fairy tales and other superstitions were propagated, as having a very ancient origin. He states that they are still (as we have already seen in Brittany and Gascony) the custom in most of the French provinces, and that they formed important events in the private lives of the peasants.[1]
It is difficult to sever the occasion and mode of the tale-telling from the character of the teller; nor would it be wise to do so. And in this connection it is interesting to pause for a moment on Dr. Pitré's description of Agatuzza Messia, the old woman from whom he derived so large a number of the stories in his magnificent collection, and whom he regarded as a model story-teller. I am tempted to quote his account at length. "Anything but beautiful," he says, "she has facile speech, efficacious phrases, an attractive manner of telling, whence you divine her extraordinary memory and the sallies of her natural wit. Messia already reckons her seventy years, and is a mother, grandmother, and great grandmother. As a child, she was told by her grandmother an infinity of tales which she had learned from her mother, and she in turn from her grandfather; she had a good memory and never forgot them. There are women who have heard hundreds of tales and remember none; and there are others who, though they remember them, have not the grace of narration. Among her companions of the
- ↑ Thomas Ady, "A Candle in the Dark" (1656) (Cf. Aubrey, "Remaines," p. 67); "Gesta Romanorum," Introd., p. xxv. (E.E.T.S.); Lacroix, p. 100.
