of science, at the same time pregnant with important instruction to the husbandman, and fertile in grand and pleasing objects to the poet and philosopher. Thomson seems constantly to have kept in view a combination of this kind; and to have formed from it such an idea of the œconomy of Nature, as enabled him to preserve a regularity of method and uniformity of design through all the variety of his descriptions. We shall attempt to draw out a kind of historical narrative of his progress through the Seasons, as far as this order is observable.
Spring is characterized as the season of the renovation of Nature; in which animals and vegetables, excited by the kindly influence of returning warmth, shake off the torpid inaction of Winter, and prepare for the continuance and increase of their several species. The vegetable tribes, as more independent and self- provided, lead the way in this progress. The poet, accordingly, begins with representing the reviviscent plants emerging, as soon as genial showers have softened the ground, in numbers "beyond the power of botanist to reckon up their tribes." The opening blossoms and flowers soon call forth from their winter retreats those industrious insects which derive sustenance from their nectareous juices. As the beams of the sun become more potent, the larger vegetables, shrubs and trees, unfold their leaves; and as soon as a friendly concealment is by their means provided for the various nations of the feathered race, they joyfully begin the course of laborious, but pleasing occupations, which are to engage them during the whole season. The delightful series of pictures, so truly expressive of that genial spirit that pervades the Spring, which Thomson has formed on the variety of circumstances attending the passion of the groves, cannot escape the notice and admiration of the most negligent eye. Affected by the same soft
