LIST OF ILLUSTRATIONS
t seemed to me that every portrait drawing of a stranger-sitter partook somewhat of the judgement of God. If I could
get the named people of this book drawn, it would be their
appeal to a higher court against my summary descriptions. So I
took pains to bring objects and artists together. ‘Took pains,’ for
my people were in Asia and Africa, besides Europe. I could gather
but few of them, and get to work only some of the artists I respect.
Importunity and the shoals of a shallow purse were my arguments.
If anybody likes any of these illustrations, he owes thanks to
Kennington, who apart from his creative work, took over the duty
of art-editor and for five years oversaw each proof of every block.
Some of the more difficult colour subjects had to be proved repeatedly
(up to seventeen times) and there were twenty three printings on
the worst one. Fortunately I was away in the country, beyond
helping him, for I could not have done the job so well. Kennington,
the printers (both of the text and plates) and I have been partners.
| The eternal itch | end-paper | wood cut | Kennington |
| Map—western section | fly-leaf | Bartholomew | |
| Feysal | frontispiece | oils | John |
| False quiet | p. xviii | water colour | Kennington |
| Initials A—W | passim | line | Wadsworth |
| The flashing sword | p. 6 | line | Roberts |
| Dignity (p. 43) | p. 23 | line | Roberts |
| Object lesson | p. 29 | line | Roberts |
| Sleeping, Waking (p. 99) | p. 36 | line | Roberts |
| The gad-fly | p. 40 | line | Roberts |
| The creator | p. 47 | wood-cut | Blair H-S |
| Ibrahim Pasha (p. 130) | p. 59 | line | Roberts |
| Spine drill | p. 65 | line | Roberts |
| Victory | p. 75 | line | Roberts |
| A camel ambulance | p. 91 | line | Roberts |
| The prophet’s tomb | p. 92 | line | P. Nash |
| A reluctant shepherd (p. 179) | p. 110 | line | Roberts |
| Suppliants | p. 115 | line | Roberts |
| Male and female (p. 499) | p. 119 | line | Roberts |
