IN OCTOBER
mysteriously, narrow and tall and domed like the arch of a cathedral. Not a bird twitted, not a leaf rustled, and, far as the eye could reach, the wet brown pine-needles lay thick and soft and padded like tan-bark, as though all Nature waited hushed and expectant for some exquisitely infinitesimal tragedy, like the travail of a squirrel.
With brain and body all a-whisper and a-tiptoe, the Partridge Hunter and I stole deeper and deeper into the Color and the Silence and the Witchery, dazed at every step by the material proof of autumn warring against the spiritual insistence of spring. It was the sort of day to make one very tender toward the living just because they were living, and very tender toward the dead just because they were dead.
At the gurgling bowl of a half-hidden spring, we made our first stopping-place. Out of his generous corduroy pockets the Partridge Hunter tinkled two drinking-cups, dipped them deep in the icy water, and handed me one with a little shuddering exclamation of cold. For an instant his eyes searched mine, then he lifted his cup very high and stared off into Nothingness.
"To the—All-Gone People," he toasted.
I began to cry. He seemed very glad to have me cry. "Cry for two," he suggested blithely, "cry
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