for Portraits of Artists by Themselves. The Master's sole regret that he had not been born rather to the brush than to the chisel sprang from his wish that he might have contributed to that collection.
It appeared, with time, at any rate, to be to the brush that Lance had been born; for Mrs. Mallow, one day when the boy was turning twenty, broke it to their friend, who shared, to the last delicate morsel, their problems and pains, that it seemed as if nothing would really do but that he should embrace the career. It had been impossible longer to remain blind to the fact that he gained no glory at Cambridge, where Brench's own college had, for a year, tempered its tone to him as for Brench's own sake. Therefore why renew the vain form of preparing him for the impossible? The impossible—it had become clear—was that he should be anything but an artist.
'Oh dear, dear!' said poor Peter.
'Don't you believe in it?' asked Mrs. Mallow, who still, at more than forty, had her violet velvet eyes, her creamy satin skin, and her silken chestnut hair.
'Believe in what?'
'Why, in Lance's passion.'
'I don't know what you mean by "believing in it." I've never been unaware, certainly, of his disposition, from his earliest time, to daub and draw; but I confess I've hoped it would burn out.'
'But why should it,' she sweetly smiled, 'with his wonderful heredity? Passion is passion—though of course, indeed, you, dear Peter, know nothing of that. Has the Master's ever burned out?'
Peter looked off a little and, in his familiar, formless way, kept up for a moment a sound between a smothered whistle and a subdued hum. 'Do you think he's going to be another Master?'
She seemed scarce prepared to go that length, yet she had,
