Page:The Souls of Black Folk (2nd ed).djvu/275

hung, so that we get but glimpses here and there, and also with them, eloquent omissions and silences. Mother and child are sung, but seldom father; fugitive and weary wanderer call for pity and affection, but there is little of wooing and wedding; the rocks and the mountains are well known, but home is unknown. Strange blending of love and helplessness sings through the refrain:

"Yonder 's my ole mudder,
Been waggin' at de hill so long;
'Bout time she cross over,
Git home bime-by."

Elsewhere comes the cry of the "motherless" and the "Farewell, farewell, my only child."

Love-songs are scarce and fall into two categories—the frivolous and light, and the sad. Of deep successful love there is ominous silence, and in one of the oldest of these songs there is a depth of history and meaning: