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Page:The Spirit of Japanese Art, by Yone Noguchi; 1915.djvu/29

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24
KOYETSU

like materialism, it is not wrong to say that Koyetsu wisely selected a line of "gyosho"-like accentuation—not so fantastic as a "sosho" calligraph—with the tea-kettle and a few writing brushes, to make one best day before he fell into the final rest.