to commemorate the occasion of Ransen's changing his name to Tanehiko, and "Ukaino Kansaku," a picture of the spirit of a dead fisherman being saved by the holy prayer of the priest Nichiren, are the work of about the same time. When Yoshitoshi began to publish his series of one hundred pieces under the name of "Tsuki Hyakushi," or "One Hundred Views of the Moon," his popularity almost reached high-water mark; I can recollect with the greatest pleasure how delighted I was to be given a few of these moon pictures as a souvenir from Tokyo when I was attending a country grammar school, and I can assure you that my artistic taste and love, which already began to grow, expressed a ready response to value. Among the pictures, I was strongly attracted by one thing, which was the picture of a crying lady alone in a boat, with a biwa instrument upon her knees; from admiration I pasted the picture on a screen, which remained as it was during these twenty years, unspoiled, spotless, and perfect, and I had the happy occasion to see it with renewed eyes lately when I returned to my country home. I felt exactly the same impression, as good as at the first sight of twenty years ago. Although the series carry the title of moon, nearly all of the pictures have no moon at all; it was the artistic merit of the artist to suggest that they were all views of the moonlight. We can point out many shortcomings in his work
