THE UKIYOYE ART IN ORIGINAL
I often think the general impression that the best Ukiyoye art reveals itself in colour-print has to be corrected in some special cases, because the Ukiyoye art in original kakemono, though not so well appreciated in the West, is also a thing beautiful; and I feel proud to say that I have often seen those special cases in Japan. On such occasions I always say that I am impressed as if the art were laughing and cursing fantastically over the present age, whose prosaic regularity completely misses the old fascination of romanticism which Japan of two or three hundred years ago perfected by her own temperament. Whenever I see it (mind you, it should be the best Ukiyoye art in original) at my friend's house by accident, or in the exhibition hall, my heart and soul seem to be turning to a winged thing fanned by its magic; and when my consciousness returns, I find myself narcotised in incense, before the temple of art where sensuality is consecrated through beauty.
It is not too much to say that Shunsho Katsu-
