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THE STORY OF MEXICO.

having been quickly passed through the successive grades of promotion necessary for that purpose, for he was, to begin with, a layman and not under orders. While still oidor of the Audiencia he assumed the cares of his office; by the end of the same year he had received all the necessary orders, from the tonsure to the priesthood.

The city of Tzintzuntzan was first selected for the foundation of the cathedral, as the pueblo of the largest population thereabout. It is now a forlorn Indian village, with straggling rows of adobe huts running down a slope towards the lonely Lake Patzcuaro. Pottery is made there by the simplest methods from clay which abounds in the neighborhood; the people are ignorant, gentle Indians, pursuing their humble lives with the content which characterizes the native Mexican. But behind an orchard of large old olive-trees neglected and decaying, is the parish church, which contains a wonderful picture, so wonderful as to be startling among such incongruous surroundings. In the sacristy, and lighted by one little window with small panes of glass, is a large and impressive canvas, representing the entombment of our Saviour. Surrounding the dead Christ are the Virgin, the Magdalen, St. John, and other figures, all life size. One of the figures in the background is said to be the bishop of Philip II., and tradition asserts positively that the picture is by Titian. The composition, grouping, and treatment are certainly like Titian, especially the introduction of a bit of landscape in the upper left-hand corner. It is possible that the picture is by the great master;