above the sea and away from the haunts of these creatures, instead of the plants and animals belonging to the neighborhood.
Without delay Humboldt and his companion reached the capital, where they were delighted with all they saw. The Academy of Fine Arts was then in a flourishing condition. Government had assigned it a spacious building, and it had a collection of casts, finer, Humboldt says, than was at that time to be found in Germany.
A small school of engraving was opened in the Mint, as early as 1779, by royal order. General interest in this school became so great as to lead the Viceroy Mayorga to project an academy of the three fine arts, painting, sculpture, and architecture. In 1783, under the rule of the good Galvez, royal approval was granted, and license was given for the existing institution under the name of: "Academia de las Nobles Artes de San Carlos de la Nueva España."
The academy was formally opened with suitable ceremony in 1785, removed a few years later to the building it still occupies. Charles III. himself sent the collection of casts admired by Humboldt. For twenty years it flourished in the hands of competent artists sent from the mother country. Then the end of that protection, and the turbulent days of civil war, disturbed its even tenor.
Humboldt says that every night in its spacious halls, well illumined by Argand lamps, hundreds of young men were assembled, some sketching from plaster-casts or from life, others copying designs of
