of them had proved entirely satisfactory. And now, as though to frustrate all his hopes, a new source of disturbance had arisen. John possessed one of those mercurial, nervous temperaments, born principally of a morbid, solitary life, which demanded absolute quiet for any profitable employment of the intellect. For this reason he detested the atmosphere of a theatre, and for this reason he yet more detested the fate that had cast his fortunes in its midst. In the apartments where he lived, mean as they were, he usually found tranquillity. He at least could think, smoke, sketch, or write, as the fit took him, without disturbance. But now, just at the time when he most desired and needed quiet, the bugbear he fled had attacked him in his very stronghold.
In the rooms beneath those he occupied lived a poor widow with her two children, a boy and girl. John knew this much from the landlady. He knew, too, that the boy was employed at the Comedy Theatre. Further than this he had not cared to inquire. Usually they were as quiet as the proverbial mouse, but latterly John's ears had been afflicted with groans and cries of pain, proceeding from the widow's apartments, and kept up with aggravating regularity throughout the night. They were the cries of a child—no doubt about that and a child in great suffering. A person less centred in his own projects than John might have at least felt some sympathy with the sufferer, but John had evidently lost kinship with the deeper emotions, and instead of sympathy he experienced only a feeling of annoyance and keen resentment against the widow and "her brats," as he styled them. Thus it was that, think as he would, the subject of this grand picture which was to take the world by storm and out-Raphael Raphael, persisted in evading him; and thus it is we find him, in a more cynical mood than usual, at the Comedy Theatre, in no haste to return to the scene of his failures.
"What is the use of striving?" mused John, as he slowly puffed his pipe. "One might as well throw up the sponge. Fate is too much for me. He follows at my elbow everywhere. His usual running-ground is not enough for him. Now he follows me home, and gives me a solo of his own peculiar music through one of his imps."
A timid knock sounded upon the door. John was busy with his thoughts, and did not hear it.
"That theory of Longfellow's is correct—art is long. In what sphere could you find a longer? Supportable might this be, but cold indifference to a poor devil aching for a gleam of sympathy is insupportable."
"It was an imp."
The knock at the door was repeated, but with the same effect as before.
"The grinning public—just tickle its side: that is all it needs. He who caters most to its stupidity in life is he who gains the proud distinction of a public mausoleum
