various envelopes. One lady is at Margate, attired in such masculine clothing, with binocular under her arm, that the artist has added a flowing beard to her face. There is a landlady presenting a bill, whilst the next is really a very original idea of the various stages of matrimony. On a number of boards resting on an easel, is one marked "1883," with a pair of lovers drifting down a stream in a boat, whilst "1884" finds the same pair in wedding garments. Other "years" are waiting for their events in the hives of the young people.
Fig. 6.
Poetical addresses are as numerous as they are varied. Here are one or two examples. A postman read the following instructions:—
"Near Bristol City may patience lead thee;
At Totterdown Row—postman, heed me—
Stands Gordon House, 'tis passing fair,
And Mr. Brittain dwelleth there.
Fig. 7.
Another envelope, bearing the Peckham post-mark, thus silently appeals:—
"To Exeter fair city, by Western Mail,
Good postman, send me without fail
And when in Devonshire I arrive,
Over Exe Bridge and through St Thomas drive,
Past the old turnpike, and up the hill
Held sacred to Little John's ✠ still,
Just where the road begins to turn,
You'll find Rose Cottage and Mrs. Hearn.
Ask her if there's a fair young lass
Come down from London her holidays to pass;
To her please deliver without delay,
For I'm postage paid, and so you need not stay."
The poetry is not great, but it is suggestive.
An eminent maker of umbrellas received a most artistic wrapper, with numerous illustrations showing the position his umbrellas held amongst the community. Gentlemen are using them as a means of roaming the seas, whilst a more adventuresome spirit, remarking that "Umbrellas make you rise in the world," is going up à la balloon with one. Finally, at the death of the worthy manufacturer his own umbrella is carried in state followed by an appreciative populace, and the head of his memorial stone is further decorated by a number of these very useful pro-
