work in oak. A massive Charles I. sideboard, dated 1631, was made for Sir Thomas Holt, a cavalier, who murdered his own cook in a fit of passion. He was charged "that he tooke a cleever and hytt hys cooke with the same upon ye hedde, and so clave hys hedde that one syde thereof fell uppone one of hys shoulders and the other syde on ye other shoulder." It was, however, ingeniously argued that although the indictment stated that the halves of the cook's head had fallen on either shoulder, it was not charged against him that the cook had been killed, and on this technicality Sir Thomas escaped. There are some valuable oil paintings here, too—a fine example of C. Van Everdingen. The only other work of his in England is in the messroom of the Honourable Artillery Company. There are also fine works by Giorgione, Van der Kappelle, Tintoretto, Maes, and others.
At work.
From a Photo. by Elliott & Fry.
The library—where we sat together talking—has one distinctive curiosity. It opens out on to the lawn, and its white enamel bookcases contain close upon four thousand volumes out of a compact stock of some five thousand works scattered about the house. All round the apartment are drawings by A. Caracci, Watteau, Lancret, Salvator Rosa, Rubens, Andrea del Sarto, and others, and on top of the bookcases are arranged seventy heads, representing all sorts and conditions of character typical of India. They are made of papier-maché, and were brought home from India by Mr. Gilbert, whither he had wandered in search of new pastures for plot and fresh ideas, so that, should he ever write an Indian opera, the company engaged would find an excellent guide to making up their faces from the figures. On the table—in the centre of the room—amongst the flowers, are portraits of some of the dramatist's protégés, so to speak. No man is more far-seeing than he. He can single out talent, and, having found it, he encourages the possessor. No one has been asked more frequently, "Should I go on the stage?" He calls for a sample of the applicant's abilities, pronounces judgment, and those who have heard his "don't" were as wise in refraining from seeking for fame from Thespis as those who welcomed his "go" and have acted on his advice. Among many who made their first appearances in his pieces are Mrs. Bernard Beere, Mr. Wyatt, Miss Jessie Bond, Mr. Corney Grain, Mr. Arthur Cecil, Miss Leonora Braham, Miss Brandram, Miss Julia Neilson,
