Illustrated Interviews.
No. VIII.—SIR MORELL MACKENZIE, M.D.
The corridor.
From a Photo. by Elliott & Fry.
OU could not readily escape noticing the residence of the famous specialist in Harley-street, Cavendish-square. Irrespective of the brass plate on the door, the somewhat gloomy appearance of the exterior is relieved by trailing ivy round the windows, the clinging tendrils of which hang over the balcony. But the distinctly dismal impression created by "outside appearances" disappears when once the door has been opened, and opportunities are afforded of exploring the "interior." Interest is gathered round every object one meets. Sir Morell's whole life has been a veritable run of professional adventure, and, much of his work being really historical, one expects to find about the place many reminiscences of his brilliant career—a career rendered more striking from the indisputable fact that incessant work, and purpose not to be turned aside, has had as much to do in winning him the position he now holds in the world of medicine as the marvellous skill he has shown in the diagnosis of the various forms of disease to which he has given his particular attention.
Immediately on entering, just opposite a convenient weather-dial, is a portrait of the Empress Frederick. She has written an inscription on it in pencil—"To Sir Morell Mackenzie, the faithful and devoted friend and medical attendant of the Emperor, Frederick III. of Germany. Victoria. Charlottenburg, May, 1888." The portrait is an excellent photograph of the oil painting by Angeli which hangs in the Royal Academy at Berlin. It was taken soon after our Princess Royal first went to Germany; but, though painted so many years ago, it is still thought to give the expression of the august personage better than any modern portrait. On passing through another door a long corridor is entered. From this corridor access is obtained to the library, to the dining-room, and two consulting-rooms. In a corner of this vestibule is a fine specimen of carving in oak; the exterior presents a grand cabinet dated 1647, within is a lift communicating with the kitchen. At intervals along the corridor are fine vases and a number
