the Muse. Again, when rhymes are rare, he will make an excursion into the heart of some glorious glen, or try the mountain path, and on his return he brings a poem with him, which is immediately transferred to paper. And this, be it remembered, is the doings of one of the fathers of Scotland, who will enter upon his eighty-third birthday in July.
I found him sitting at his table in one of his studies. The table is just by the window looking into the garden. He wore a long blue coat, picturesquely fastened round the waist with a red silk sash. He had on a very broad linen collar, with a long black cravat, loosely tied, negligently hanging down. On his head was a fine broad-brimmed Panama straw hat, an excellent assistance to the retention of good sight; he has never worn a pair of spectacles in his life. Strange to say, too, until the morning of my visit, he has needed no medical advice for over thirty years. He is patriarchal in appearance, with classical features, and long pure white hair which reaches to his shoulders. He has all the vitality of a young man. A trip alone to Constantinople at the age of eighty-two is a good record. He attributes his robust health to the fact that he has always worked and lived, read and thought, on a system. He rises at 7.30 and breakfasts. The morning is occupied in work and correspondence. The open air claims him every day for two hours before dinner, and Morpheus for an hour after the midday meal. No hard work after nine. Unless he has a lecture or other engagement, the evening finds him playing a game of backgammon with his wife, and he opens the door of his bed-room as the clock is chiming twelve. System governs every hour of the day, and two unapproachable mottoes guide every moment of his life. You cannot receive a letter from Professor Blackie without finding his motto penned in Greek characters in his own handwriting in the left-hand corner of the envelope. He puts it in the corner of every envelope he finds about the place, his servants' included. "Adopt it," he says, "and it will turn earth into heaven, it will revolutionise society in the twinkling of an eye." His motto is, "Speak the truth in love" (Ephes. iv. 15), and he points out that the Greek verb means acting as well as speaking. The second motto is, χαλεπὰ τὰ καλά, "All noble things are difficult to do."
The drawing-room.
From a Photo. by Elliott & Fry.
We went from room to room. The drawing-room is a beautiful apartment. The walls are of quiet blue, picked out in gold, in harmony with the crimson plush curtains which hang at the windows, and the green plush furniture. The fireplace is massive and striking. It is of Indian workmanship, exquisitely carved—as, indeed, are all the fireplaces throughout the house, for it was formerly occupied by Sir William Hunter, an Indian magnate. The photos are countless, and are everywhere.