dome. There are many fine works here, notably the original sketch for the "Needless Alarm," which Sir Frederick gave to Sir John Millais, who, in return, presented him with that charming work "Shelling Peas." Paolo Paruta, the Venetian historian, painted by Tintoretto, is also here, besides a head of Bassano and another example of Schiavone.
The drawing-room.
From a Photo. by Elliott & Fry.
The ante-chamber.
From a Photo. by Elliott & Fry.
Now Sir Frederick leads the way into the great studio—his workshop. It is one of the biggest studios in London. It would take a dozen pages to chronicle everything that it contains. The walls are covered with tiny sketches done by the artist whilst travelling; scenes of Rome, the Nile, Rhodes, Jerusalem, Athens, Seville, Algiers, and other picturesque spots inviting to the artist all find their place, and amongst the beautiful studies of the Continent are mingled the daintiest of views of the scenery of our own country: the valleys of Devonshire, the glorious green slopes of Ireland, the mountains of Scotland and of Wales. On the south side of the studio, running along the top, is a portion of the famous Elgin frieze. Immediately opposite the entrance is the studio window, which is of large proportions and affords a magnificent light for painting. Set out in the recess of the window are objects every single one of which is worth noting. Here are studies for the "Daphnephoria"—the boy carrying the tripod, the man beating time to the music
