by its effects. If this hypothesis be admitted, in like manner as two kinds of motion are distinguished in Nature, the one called live force, the other dead, or inert force, two sorts of sensibility will be distinguished, the one active or alive, the other inert or dead. Then to animalize a substance, is only to destroy the obstacles that prevent its being active or sensible. In fact, sensibility is either a quality which communicates itself like motion, and which is acquired by combination; or this sensibility is a property inherent in all matter: in both, or either case, an unextended being, without parts, such as the human soul is said to be, can neither be the cause of it nor submitted to its operation; but we may fairly conclude, that all the parts of Nature enjoy the capability to arrive at animation; the obstacle is only in the state, not in the quality. Life is the perfection of Nature: she has no parts which do not tend to it—which do not attain it by the same means. Life in an insect, a dog, a man, has no other difference, than that this act is more perfect, relatively to ourselves in proportion to the structure of the organs: if, therefore, it be asked, what is requisite to animate a body? we reply, it needs no foreign aid; it is sufficient that the power of Nature be joined to its organization.
The conformation, the arrangement, the texture, the delicacy of the organs, as well exterior as interior, which compose men and animals, render their parts extremely mobile, or make their machine susceptible of being moved with great facility. In a body, which is only a heap of fibres, a mass of nerves, contiguous one to the other, united in a common center, always ready to act; in a whole, composed of fluids and solids, of which the parts are
