offerings: (1) the Tri-Ratna or Three Jewels of the Buddhist Faith, (2) a pair of elephant tusks, and (3) a branch of red coral. To the right of the Guru stands the Buddha of the Human Loka (yellow), Shakya Muni, holding a bhikkhu-staff and a begging-bowl; to the right, the Buddha of the Brute Loka (blue) holding a book, symbolizing language and expression, or divine wisdom, which brute creatures lack.
In the four corners are the four other Buddhas of the Six Lokas (cf. p. 121): upper left, the Buddha of the Deva Loka (white), holding a guitar, symbolizing excellence in arts and sciences and the harmony of existence in the world of the devas; upper right, the Buddha of the Asura Loka (green), holding a sword symbolizing the warlike nature of asuras; lower left, the Buddha of the Preta Loka (red), holding a box filled with all desirable objects to satisfy the cravings of the pretas; lower right, the Buddha of Hell (smoke-coloured), holding fire for consuming and water for purifying.
Among other embellishments added by the artist are a sacred mirror (symbolizing form or body, which it reflects) near the trees on the left, and a sacred conch-shell trumpet of victory over the Sangsāra (symbolizing sound) near the tree on the right; and, between the two Buddhas at the bottom, in two caves, yogīs, or holy men, in the Tibetan wilderness.
At the top, in the centre, presiding over the whole maṇḍala, Buddha Amitābha (red), on an enhaloed lotus and lunar throne holding a begging-bowl, with lotuses and the moon (white) on the left and lotuses and the sun (gold) on the right.V. The Great Maṇḍala of the Knowledge-Holding and Wrathful Deities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
facing p. 136 |
