on the yellow light-path approaching the Buddha of the Human Loka; the highest upon the right, on the green light-path approaching the Buddha of the Asura Loka, is a red-cap lāma.
In the Lower World, at the bottom of the painting, typical punishments in various Hells are depicted, none of which, however, are everlasting. On the left, in the upper corner, where two sinners are immersed in a glacial region, the Eight Cold Hells are suggested. Near the edge of the painting, on the opposite side, a sinner amidst flames suggests the Eight Hot Hells. The commission of any of the ten impious acts, deliberately and from selfish motives, leads to purgation in the Cold Hells; any of the same acts done through anger lead to purgation in the Hot Hells.
Just below the Cold Hells is the Hell of the ‘Spiked Tree’ or ‘Hill of Spikes’ (Tib. Shal-ma-li), in which an evil-doer has been quartered and affixed to the spikes. Beside it, in charge of a hell-fury, is ‘The Doorless Iron House’ (Tib. Lchags-khang-sgo-med). Next to this there are four lāmas held under the mountainous weight of an enormous Tibetan sacred book; they are being punished thus for having in their earth-life hurried through and skipped passages when reading religious texts. The triangle, in which an evil-doer is fixed, symbolizes the terrible Avitchi Hell, wherein one guilty of a heinous sin, such as using sorcery to destroy enemies or deliberate failure to fulfil Tantric vows, endures punishment for ages which are almost immeasurable. Close to the triangle, a hell-fury is pouring spoonfuls of molten metal into a woman condemned for prostitution. The person next to her, bowed under the weight of a heavy rock tied to his back, is being punished in that manner for having killed small living creatures like vermin or other insects. The sinner whom a hell-fury is holding stretched out on a floor of spiked iron while another hell-fury is preparing to hack him to pieces (cf. p. 166) has been found guilty of another of the ten impious acts. So also has been the woman who is about to be sawn in two lengthwise; her sin has been murder. As in Dante’s Inferno, other evil-doers, incapable, as our text explains, of succumbing to the process (cf. p. 166), are being cooked in the iron cauldron at the lower right-hand corner. Three hell-furies (one brown, one yellow, one blue in the original) are to be seen holding by the end of nooses and leading and dragging along (cf. p. 166) to appropriate punishments three of the dead who have just been cast into Hell.
At the top of the picture, in the centre, on an enhaloed lotus and lunar throne, with the moon (white) at his right and the sun (gold) at his left, presiding over all, is Dorje Chang (blue), the Divine Guru of the Red-Hat School of Padma Sambhava; for he is held to be the Ever-living and Spiritual Source whence continue to emanate, as in the days of the Buddha Shakya Muni, all the Esoteric Doctrines