shall have her daguerreotype. So faint and uncertain shall the portrait be:
Age, somewhere between twenty-seven and highneck evening dresses. Camaraderie in large bunches—whatever the fearful word may mean. Habitat—anywhere from Seattle to Terra del Fuego. Temperament uncharted—she let Reeves squeeze her hand after he recited one of his poems; but she counted the change after sending him out with a dollar to buy some pickled pig’s feet. Deportment 75 out of a possible 100. Morals 100.
Mary was one of the princesses of Bohemia. In the first place, it was a royal and a daring thing to have been named Mary. There are twenty Fifines and Heloises to one Mary in the Country of Elusion.
Now her gloves are tucked in. Miss Tooker has assumed a June poster pose; Mrs. Pothunter has bitten her lips to make the red show; Reeves has several times felt his coat to make sure that his latest poem is in the pocket. (It had been neatly typewritten; but he has copied it on the backs of letters with a pencil.) Kappelman is underhandedly watching the clock. It is ten minutes to nine. When the hour comes it is to remind him of a story. Synopsis: A French girl says to her suitor: “Did you ask my father for my hand at nine o’clock this morning, as you said you would?” “I did not,” he replies. “At nine o’clock I was fighting a duel with swords
[224]
