looked at the prospect in many lights, turned the subject about almost every way it would go; but I am bound to say there was one relation in which we tacitly agreed to forbear to consider it. We neither of us uttered the name of Paule de Brindes—the outlook in that direction would be too serious. And yet if Félix Vendemer, exquisite and incorruptible artist that he was, had fallen in love with the idea of "testifying," it was from that direction that the finest part of his opportunity to do so would proceed.
I was only too conscious of this when, within the week, I received a hurried note from Madame de Brindes, begging me, as a particular favor, to come and see her without delay. I had not seen Vendemer again, but I had had a characteristic call from Heidenmauer, who, though I could imagine him perfectly in a Prussian helmet, with a needle-gun, perfectly, on definite occasion, a sturdy, formidable soldier, gave me a renewed impression of inhabiting, in the expansion of his genius and the exercise of his intelligence, no land of red tape,
