THE PUPIL LOVER
Pierce no power to reply. He did not attend very much to the duets, and even forgot at the end of one of them to say how perfectly lovely it was.
§ 4
But you must not imagine that the national ideal of a gentleman, as Coote developed it, was all a matter of deportment and selectness, a mere isolation from debasing associations. There is a Serious Side, a deeper aspect of the true True Gentleman. But it is not vocal. The True Gentleman does not wear his heart on his sleeve. For example, he is deeply religious, as Coote was, as Mrs. Walshingham was; but outside the walls of a church it never appears, except perhaps now and then in a pause, in a profound look, in a sudden avoidance. In quite a little while Kipps also had learned the pause, the profound look, the sudden avoidance, that final refinement of spirituality, impressionistic piety.
And the True Gentleman is patriotic also. When one saw Coote lifting his hat to the National Anthem, then perhaps one got a glimpse of what patriotic emotions, what worship, the polish of a gentleman may hide. Or singing out his deep notes against the Hosts of Midian, in the St. Stylites choir; then indeed you plumbed his spiritual side.
"Christian, dost thou heed them,
On the holy ground,
How the hosts of Mid-i-an,
Prowl and prowl around!
Christian, up and smai-it them. . . ."
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