THE AMERICAN OUTLOOK
tion of a feudal nobility, then a definite great mercantile class, then a large self-respecting middle class of professional men, minor merchants, and so forth, then a new industrial class of employees in the manufacturing and urban districts, and a peasant population rooted to the land. There are, of course, many local modifications of this form: in France the nobility is mostly expropriated; in England, since the days of John Bull, the peasant has lost his common rights and his holding, and become an "agricultural labourer" to a newer class of more extensive farmer. But these are differences in detail; the fact of the organisation, and the still more important fact of the traditional feeling of organisation, remain true of all these older communities.
And in nearly every European country, though it may be somewhat despoiled here and shorn of exclusive predominance there, or represented by a dislocated "reformed" member, is the Church, custodian of a great moral tradition, closely associated with the national universities and the organisation of national thought. The typical European town has its castle or great house, its cathedral or church, its middle-class and lower-class quarters. Five miles off one can see that the American town is on an entirely different plan. In his remarkable "American Scene," Mr. Henry James calls attention to the fact that the Church as one sees it and feels it universally in Europe is altogether absent, and he adds a comment as suggestive as it is vague. Speaking of the appearance of the churches, so far as they do appear amidst American urban scenery, he says:
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