THE IDEAL CITIZEN
what is more than trivial in our art, our literature and our drama must do to fill in bit by bit and shade by shade the subtle, the permanent detail of the answer.
It does very greatly help in this question to bear in mind the conflict of our origins. Every age is an age of transition, of minglings, of the breaking up of old, narrow cultures, and the breaking down of barriers, of spiritual and often of actual interbreeding. Not only is the physical but the moral and intellectual ancestry of everyone more mixed than ever it was before. We blend in our blood, every one of us, and we blend in our ideas and purposes, craftsmen, warriors, savages, peasants, and a score of races, and an endless multitude of social expedients and rules. Go back but a hundred generations in the lineage of the most delicate girl you know, and you will find a dozen murderers. You will find liars and cheats, lascivious sinners, women who have sold themselves, slaves, imbeciles, devotees, saints, men of fantastic courage, discreet and watchful persons, usurers, savages, criminals and kings; and every one of this miscellany not simply fathering or mothering on the way to her, but teaching urgently and with every grade of intensity, views and habits for which they stand. Something of it all has come to her, albeit much may seem forgotten. In every human birth, with a new little variation, a fresh slight novelty of arrangement, the old issues rise again. Our ideas, even more than our blood, flow from multitudinous sources.
Certain groups of ideas come to us distinctively associated with certain marked ways of life. Many, and for a majority of us, it may be, most of our an-
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