by stiffness and affectation, and imagined that we succeeded rarely; but our happiness was not complete, except we might rave outright, might stamp with our feet, and, full of fury and despair, cast ourselves upon the ground.
"Boys and girls had not long carried on these amusements in concert, till Nature began to take her course; and our society branched itself off into sundry little love-associations, as generally more than one sort of comedy is acted in the playhouse. Behind the scenes, each happy pair pressed hands in the most tender style; they floated in blessedness, appearing to one another quite ideal persons, when so transformed and decorated; whilst, on the other hand, unlucky rivals consumed themselves with envy, and out of malice and spite worked every species of mischief.
"Our amusements, though undertaken without judgment, and carried on without instruction, were not without their use to us. We trained our memories and persons, and acquired more dexterity in speech and gesture than is usually met with at so early an age. But, for me in particular, this time was in truth an epoch: my mind turned all its faculties exclusively to the theatre; and my highest happiness was in reading, in writing, or in acting, plays.
"Meanwhile the labours of my regular teachers continued: I had been set apart for the mercantile life, and placed under the guidance of our neighbour in the counting-house; yet my spirit at this very time recoiled more forcibly than ever from all that was to bind me to a low profession. It was to the stage that I aimed at consecrating all my powers,—on the stage that I meant to seek all my happiness and satisfaction.
"I recollect a poem, which must be among my papers, where the Muse of tragic art and another female form, by which I personified Commerce, were made to strive very bravely for my most important
