will be found the earliest account of the adventures of our famous Reynard. It seems, indeed, to have been demonstrated that the oldest extant version is in Latin, still the editor of that version has no apparent hesitation, after a very thorough investigation, in ascribing the origin of the poem to Flanders and in considering the material of the Flemish copy to be derived from some earlier source.
But, leaving these particulars as of secondary importance, except as an impetus to the pleasures of antiquarian research, which are not to be despised, let us cast a glance at the substance of the famous beast-epic, as it has been aptly called. The motive of its inspiration is thought by some to have been satire. By these it is regarded as a satirical exposure of the foibles and vices of humanity, with a view to their improvement. There are others, however, who consider the romance as nothing but the expression of a general interest in animal life and habits, and as having no satirical basis or educational purpose. With our meagre knowledge of the original it is hard to form a valid judgment upon this question. Nor is it a matter of moment. Whatever the primal intent, it certainly contains, as we have it to-day, an abundance of satirical allusions to the general imbecility of mankind, as well as to the vices and iniquities prevalent in times past, and not yet altogether extinct, among officers and dignitaries of the church and the state.
The recital of these adventures, of which Reynard is the hero, has always been held in high esteem among German scholars, but it was not until the genius of Goethe had gathered them into his delightfully written hexameters that the allegory gained a general reception. Now it is so highly appreciated among his fellow countrymen that the story is to be found in almost every household of the land. It would be well
