fresh from its fountain, is oftentimes feeble enough: it will scarcely become stronger by passing through two or three hands.
Sinclair.—How I wish, that, instead of thus arguing, we could assist our friend, the owner of these pictures, who would be glad to hear the opinions that have been expressed.
Armidoro.—(Coming from the cabinet.) I perceive that the company is still engaged with these much=censured pictures: had they produced a pleasant impression, they would doubtless have been laid aside long ago.
Amelia.—I propose that that be their fate now: the owner must be required to make no use of them. What! a dozen and more hateful, objectionable pictures to appear in a Ladies' Almanac! Can the man be blind to his own interest? He will ruin his speculation. What lover will present a copy to his mistress, what husband to his wife, what father to his daughter, when the first glance will display such a libel upon the sex?
Armidoro.—I have a proposal to make. These objectionable pictures are not the first of the kind which have appeared in the best almanacs. Our celebrated Chodoviecki has, in his collection of monthly engravings, already represented scenes, not only untrue to nature, but low, and devoid of all pretensions to taste; but how did he do it? Opposite the pictures I allude to, he delineated others of a most charming character,—scenes in perfect harmony with nature, the result of a high education, of long study, and of an innate taste for the Good and Beautiful. Let us go a step beyond the editor of the proposed almanac, and act in opposition to his project. If the intelligent artist has chosen to portray the dark side of his subject, let our author or authoress, if I may dare to express my view, choose the bright side to exercise
