nine the pupil of turpitude, and liable to the malignant influence of an ascendant mind. But the truth is, that Gulliver had described his yahoos before the visit; and he that had formed those images had nothing filthy to learn.
In the poetical works of Dr. Swift there is not much upon which the critick can exercise his powers. They are often humorous, almost always light, and have the qualities which recommend such compositions, easiness and gayety. They are, for the most part, what their author intended. The diction is correct, the numbers are smooth, and the rhimes exact. There seldom occurs a hard laboured expression, or a redundant epithet; all his verses exemplify his own definition of a good style, they consist of "proper words in proper places."
To divide this collection into classes, and show how some pieces are gross, and some are trifling, would be to tell the reader what he knows already, and to find faults of which the author could not be ignorant, who certainly wrote not often to his judgment, but his humour.
It was said, in a preface to one of the Irish editions, that Swift had never been known to take a single thought from any writer, ancient or modern. This is not literally true; but perhaps no writer can easily be found that has borrowed so little, or that, in all his excellences and all his defects, has so well maintained his claim to be considered as original.
