discourses is but mere clay, or as we usually call it, sad stuff, the preacher, who can afford no better, wisely moulds, and polishes, and dries, and washes this piece of earthen ware, and then bakes it with poetick fire; after which it will ring like any pancrock, and is a good dish to set before common guests, as every congregation is, that comes so often for entertainment to one place.
There was a good old custom in use, which our ancestors had, of invoking the muses at the entrance of their poems; I suppose, by way of craving a blessing: this the graceless moderns have in a great measure laid aside, but are not to be followed in that poetical impiety; for, although to nice ears such invocations may sound harsh and disagreeable (as tuning instruments is before a concert) they are equally necessary. Again, you must not fail to dress your muse in a forehead cloth of Greek or Latin, I mean, you are always to make use of a quaint motto to all your compositions; for, beside that this artifice bespeaks the reader's opinion of the writer's learning, it is otherwise useful and commendable. A bright passage in the front of a poem,, is a good mark, like a star in a horse's face; and the piece will certainly go off the better for it. The os magna sonaturum, which, if I remember right, Horace makes one qualification of a good poet, may teach you not to gag your muse, or stint yourself in words and epithets which cost you nothing, contrary to the practice of some few out-of-the-way writers, who use a natural and concise expression, and affect a style like unto a Shrewsbury cake, short and sweet upon the palate: they will not afford you
a word
